Mystical Ecstasy

Mystical Ecstasy
Giuseppe Bazzani: "Ecstasy of Saint Theresa of Avila," Museum of Fine Arts, Budapest

Is mystical ecstasy really displaced sexual ecstasy like in the image above? I find it difficult to interpret medieval mystical writing any other way, especially by women mystics like Teresa of Ávila (Teresa de Jesús) and Margery Kempe, and what am I to make of Catherine of Siena's foreskin wedding ring? These lines are much quoted:

He appeared to me to be thrusting it at times into my heart, and to pierce my very entrails; when he drew it out, he seemed to draw them out also, and to leave me all on fire with a great love of God. The pain was so great that it made me moan; and yet so surpassing was the sweetness of this excessive pain that I could not wish to be rid of it. The soul is satisfied now with nothing less than God. - Teresa of Ávila

I don't discount the genuine romantic and spiritual love that's involved. I am sure it was confusing for these women. But, their visions of "union with Christ" suggest sex with Christ himself, and I'm not persuaded by those, like Bernard of Clairvaux, who insisted this was not in any way physical. The physicality is evident in the mix of pleasure and pain, as it is in the Eucharist itself, chewing on Christ's flesh.

19th century Belgian illustrator Félicien Rops thought all this was ridiculous and he enjoyed satirizing Catholic sexual mores. The extraordinary image below is of Saint Teresa of Ávila with a dildo and a Bible. Whether you find such images blasphemous, misogynistic and pornographic (as some do) or sensual, witty and ironic (as others do) seems to be in the eye of the beholder. But, Saint Teresa is definitely a star in Western art.

Felicien-Rops-Sainte-Therese
Félicien Rops: "Sainte-Thérèse" (no date - 19th Century), in Le musée provincial Félicien Rops, Namur.

Rops' biography suggests he got on well with women and enjoyed sex and had no time for Catholic morality. Many of his illustrations pushed blasphemy about as far as you could go at the time, so none of these were made public, but they are striking in their frankness. Now they are all over the Internet. While building a career in conventional illustration in Namur and Paris, he also consorted with kindred spirits in the Symbolist and Decadent art movements such as Baudelaire and Mallarmé and illustrated their works.

Below is The Temptation of Saint Anthony from 1878, in which a Rubinesque Eros has pushed Christ off the cross, which pretty much sums up Rops' life. Saint Anthony the Great (c 251–356) was known as one of the founders of early Christian monasticism and here he just looks horrified, not tempted. Flaubert was fascinated by him, which is probably how Rops got interested in the subject...

Rops-Temptation-Saint-Anthony

My favorite Rops illustration is below: Satan Sowing Seeds from his Les Sataniques series (1882). Looks like that's Paris down there and he's dropping sexy women. Love the clogs. One of them seems to be on Notre Dame.

Le musée provincial Félicien Rops, Namur

Links:

  • For Bernini's The Ecstasy of Saint Teresa, go here).
  • For Joan of Arc and mystical ecstasy: here
  • For Hildegard of Bingen: here
  • For more Saint Anthony: here
  • For another Belgian Symbolist, Jean Delville: here