The Grand Tour

The Grand Tour
Carl Spitzweg: "English Tourists in Campagna" (1845), Alte Nationalgalerie, Berlin. It seems satirical to me.

In December of 1833, George Sand and Alfred de Musset escaped from Paris, abandoning her daughter Solange to the servants, and traveled to Italy. Was it a honeymoon or their version of the Grand Tour? They'd never been.

From the 17th century onwards, the Grand Tour was an obligatory trip around Europe for rich young men (with a tutor and servants, of course) - the privilege of northern European self-proclaimed elites. It could last for months or even years and Italy was the highlight: Rome, Florence, Venice, Naples... Supposedly, the picturesque decadence they found there was educational, turning them all into gentlemen who could run an empire. Later, rich young women would tour as well, followed by the Americans, and then everybody else. 

Picture gallery paintings of Ancient Rome are metaphors for The Grand Tour? A specialist was Giovanni Paolo Panini. He painted many like this in the 1750's. This is in the Louvre.

Then there were those artists and writers who could barely afford it, like Sand and De Musset. Traveling via Marseille, Sand and de Musset arrived first in Genoa, where Sand fell ill. Then (it appears) they went on to Florence, where Sand’s research inspired de Musset to start writing his best play, Lorenzaccio (1834). Then on to the carnivalesque Venice where de Musset fell ill. After a few months, de Musset packs up and goes home. Sand returns to Paris many months later with a new lover.

In Frascati, near Rome, is the Villa Piccolomini, later renamed the Villa Lancellotti. This is a view of the Italian gardens.

In later years, a more affluent Sand would see more of Italy. In 1855, after the tragic death of her six-year-old grandchild, Jeanne Clésinger, she traveled there again, arriving in Frascati and Tivoli outside Rome, where she adored the ornate gardens and water features. In Frascati, she rented the Villa Pic­colo­mini (now known as Villa Lancellotti - photo above) for three weeks with her son Mau­rice and partner Alexan­dre Manceau. On the way back, in her letters she reveals they went via La Spezia and Portovenere. She wrote: “my son took me away to Italy.... I have seen Rome, revisited Florence, Genoa, Frascati, Spezia, Marseilles. I have walked a great deal, been out in the sun, the rain, the wind, for whole days out of doors. This, for me, is a certain remedy, and I have come back cured.” 

A few other "veduta" images from the Grand Tour by non-Italian painters, the first English, the second Armenian-Russian. This is Cascata delle Marmore, said to be the world's largest human-made waterfall, at Terni, north of Rome. When the river is running, it still looks like this today.

Thomas Patch: "Cascata di Terni" (1745), in the Palazzo Montani, Terni.

The other painting shows Byron arriving on San Lazzaro degli Armeni. This island in the Venice lagoon is home to a small Armenian Catholic religious community. He studied the Armenian language while staying there in 1816 and he financed the publication of the first Armenian–English dictionary.

Ivan Aivazovsky: "Lord Byron's Visit to San Lazzaro degli Armeni" (1899), National Gallery of Armenia, Yerevan.

Also see these links: Venice, Constantinople